Alexander Ultimate Cut Vs Final Cut Domain_10

Alternative footage:

When the camera pans zu Alexander'due south deathbed, you in the Theatrical Version only see one mourning swain.

9 sec.

In the Final Cut there's an extensive scene where yous as well meet Alexander'southward married woman Roxane (who's pregnant) and other followers who either mourn or already think about a possible successor.

76 sec.

Alternative footage:

Ptolemaio'southward explanations in Alexandria stard differently and are a scrap longer in the Theatrical Version. In the Theatrical Version he first tells a little nearly himself and that he was a Pharao for 40 years after Alexander's deat. And then he praises Alexander's greatness.

101.five sec.

In the Final Cut, his narration about Alexander'south army and that they were profoundly feared. This is then continued in the Theatrical Version.

38.five sec.

When Ptolemaios goes inside, the Concluding Cut cuts to the next scene from a different point in the moving-picture show.

1 sec.

Alternative footage:

In the Theatrical Version, his introduction ends with a annotate well-nigh Philipp (Alexander'southward father) and his wish to conquer Babylon.

21 sec.

This annotate was besides included in the Final Cutting, but here he goes on talking most Philipp's assassination which was probably promoted with Persian coin. He besides talks about Alexander being crowned as the king of Macedonia. In revenge, Alexander freed large parts of Southwest asia and Egypt (where he was became Pharao and admired similar a god). Then follows Alexander's announcement of war against the Persian sovereign Dareios.

59 sec.

Theatrical Version

Ptolemaios comment nigh Philipp's expiry and Alexander's first conquers follow a little later in the Theatrical Version (merely earlier you see the Battle of Gaugamela). In the Theatrical Version, his remakrs are more detailed: at the beginning, he also talks virtually riots in Greek city-states and how Alexander defeated them without too much mercy. He also tells about the oracle in Siwa that appointed him as the son of Zeus.
One part of these scenes is identical to the Terminal Cut.

125 sec.

The transitions to the next scene are different for both versions: The Theatrical Version now shows Alexander's babyhood, while the Terminal Cut cuts to the Battle of Gaugamela.

When Alexander watches both armies from a afar hill, Ptolemaios comments information technology differently. In the Final Cut he also mentions that this run into of E and Due west will decisive for the world they nosotros knew it. The Final Cut also offers two new pictures.

8.5 sec.

Just before the motion picture cuts to the policy meeting, the Theatrical Version shows the old Ptolemaios.

2 sec.

In the Final Cut y'all instead see the meeples.

four.5 sec.

Apparently, the Theatrical Version wants to clarify who narrates this flashback. Just since this is rather unnecessary, the Last Cut abandons this.

There are several extensions and re-cuts of the scenes within the tent during the policy meeting. While many of the scenes were deleted for the Director's Cutting, the dialogues are almost identical for both the Theatrical Version and the Final Cutting. Withal, the Final Cutting offers an additional scene that could already be seen in the Direcotr's Cutting. Shortly after Alexander explained how he wants to kill Dareios, Parmenion complains about Alexander's plan and says that horsemen have never e'er been used to intermission through a crowd of infantry.

All in all, the Final Cut is 18 sec. longer.

When Alexander creeps through the camp at night, the scenes were often altered and/or shortened.

Pharnakes recognizes the lunar eclipse. Hephaistion approaches Alexander from a different bending.

17 sec.

Theatrical Version

When Alexander addresses Pharnakes, others stand upwardly by the burn. Only in the Theatrical Version Alexander implies that they could sit back downwards.

2.v sec.

When ane of the men by the fire insults Pharnakes (by saying that the but reason that he's still awake is that he wants to make sure that no 1 steals the boodle), the person concerned scowls in the Theatrical Version. Then Alexander promises them, that they soon wil� be as rich as kings. In the Final Cut, the unfortunate person goes on and says that the human is even too stingy to purchase some clothes of good quality. Alexander then says that yous tin can even go to state of war completely naked.

13 sec.

Equally soon equally Alexander and Hephaistion leave, Pharnakes tells the rebellious boy that he tomorrow will exist in the forefront. Suddenly, the male child feels pitiful for his insolences.

5 sec.

Alexander speaks about the magnificent war chariots, the terrific horses, and the mighty weapons of their opponents which won't do whatsoever good since they are used by slaves. During his speech, you run across Pharnakes and the young soldier who insulted him. The poor boy is non in the forefront but still in one of the first few rows. He's then scared that he pisses his pants. Pharnakes sees information technology but doesn't sympathise with him at all.

29 sec.

After he admits, that many soldiers are going to die today, Alexander goes on talking. He praises this death, calling it courage and a cede for their homeland. The oversupply clamors.

48 sec. in full

A shot of the Persians before the armies come into disharmonize.
2.5 sec.

An additional war chariot is run downwards.
3.5 sec.

You tin encounter the horsemen'due south diversion.
2.5 sec.

More tumult of the battle.
4.5 sec.

Ditto. A man loses his fingers.
14 sec.

A Persian is hit past a sword that flies through the air.
iii.5 sec.

Dareios can be seen longer.
two.5 sec.

More than tumult of the battle.
5.v sec.

Theatrical Version:

Two shots are missing in the Final Cut.
half-dozen sec.

Theatrical Version:

This sequence follows afterwards in the Final Cut (when Alexander advances to the centrum).

-

Alternative footage:

The advocacy towarts the centrum is shown in dissimilar pictures.

Terminal Cut is 0.five sec. longer

Dareios tells the prince to engage the anxious troops behind him.
10.5 sec.

More than tumult of the battle. One guy's eyes are squashed, so he'southward killed past an arrow; additionally, his articulatio genus gets injured. And then at that place'south a missing impale by slitting the throat; one soldier fastens his teeth onto an enemy.

xix sec.

Alternative footage:

In the Final Cut, the left flank calls for back-upward. In the Theatrical Version you only run into a long shot.

Final Cut iv sec. longer

Alexander further advances the centrum with his fellow horsemen. Y'all run into a Persian who stabs his sword in Alexander'south thigh.

xx.5 sec.

An additional shot of a severed arm.
1 sec.

1 Western farsi is decapitated and the Macedonian and then uses the severed head as a weapon.
A office of the scene (where he his 1 of his enemies' face with the head) tin can also exist seen in the Theatrical Version. Only there yous don't really run across that it is a severed head.

3.5 sec.

When Dareios flees, his war chariot'southward blades cut off his fellow soldiers legs.
one.5 sec.

At the end of the battle the transition to the sickbay is longer.
10 sec.

Additions and Re-Cuts

When Alexander takes intendance of one of his soldiers (who is desperately injured and waits for someone breaking his neck to deliver him from the pain), many of the shots are longer in the Terminal Cut and some of them were reorganized.

All in all, the Final Cut here is xv sec. longer

Culling footage:

After the last scene you in the Final Cut see the battleground, while in the Theatrical Version you see the mourning Alexander in a close upwards shot.

Theatrical Version 3 sec. longer

At the end of the vulture-scene, you see Alexander in tears.
ii.5 sec.

Theatrical Version

Merely before you see the march-in in Babylon (and the Concluding Cut cuts back to Alexander'due south childhood), y'all in the Theatrical Version see a short repetition of the scene with Philipp inside the cave; also, you meet the scene of the battlefield that was merely mentioned for the Concluding Cut.

xix sec.

Theatrical Version

The opening of the scene with Olympias and Alexander in bed and the snake was cutting out of the Final Cut, since in that location volition be a flashback to this scene much later in the movie. Ptolemaios tells u.s. something almost Alexander's mother (who is often thought to be a witch) and the legendary men who some believe to be his fathers from off-camera. Olympias sings a quiet song while taking out the snake to give it to Alexander. Then she tells her son a little about the snake and that it tin can be a friend for Alexander if he chooses to adopts her.

66 sec.

Alternative footage:

The Final Cut begins with the serpent being handed over to Alexander. Then, Alexander is warned not to hesitate because the snake will otherwise bite him. Now they inserted a new shot of the room - birthday with a time designation.

Theatrical Version 0.5 sec. longer

Alternative footage:

Just after y'all hear the drunk Philipp outside, you lot in the Final Cut go the information that was just given in the terminal cut from off-camera.

1 sec.

When Philipp lashes into Olympias, both versions accept minor scene-extensions.
1 sec.

Culling footage:

When you see Alexander and Hephaistion wrestling, the time designation was altered (just as in the Managing director's Cut).

Some scenes of the wrestling-training were extended, shortened or replaced with alternative takes.

17 sec.

The panning shot from the mountains to Aristotle's lessons begins earlier in the Theatrical Version.

0.5 sec.

The following scene was heavily re-cut and the lessons grade was reorganized.

In the Theatrical Version the scene begins with elucidations about a seaway via Republic of india, the end of the earth and the Nile back to Greece. Alexander then asks about each of these areas before one of the other pupils raises his manus to get to know more near the Persians (which actually shouldn't be a function of the lesson of that day). Only in the Final Cut Aristotle says that the Persians are so wicked that they actually desexualize little boys for their own sexual pleasure.

In the Final Cut, the scene begins with the pupil's question about the Persians - happening before the explanation of the seaway and Alexander's question almost these areas. In the Last Cut there's a new scene where Hephaistion asks Aristoteles, if the love of a man towards some other man is equivalent to the love of a man towards a adult female. Aristotle decidedly denies it, since women are always slaves of their passion. Truthful, there are some exceptions similar Athena (goddess of knowledge and war). And then Aristotle reemphasizes the importance of living according to these ideals - after all, these immature men represent Greek's future.

While parts of the scenes are identical in both versions, there (in the Final Cutting) are small differences (besides these two extended scenes), peculiarly because of the continuity. Anyhow, the order of the scenes in the Last Cut is surperior, since it puts more than accent on Alexander than the other student (whose comment in the Theatrical Version is annotated by Alexander with a smile). Also, Alexander in the Last Cut is emphatic about the fact that conquering the East was his begetter's desire. And later on the teacher said that the Eastward destroyed the dreams of many men, Alexander only in the Final Cut replies that it is absolutely desirable to conquer the Eastward (only as it is told by the myths). Aristotle abandons withholding Alexander'southward euphoria and says that he can't teach him to be careful with what yous dream of and wish for; he can only warn him.

All in all, the Concluding Cut is 101 sec. longer.

Alternative footage:

While Alexander tames his horse Bukephalos, ii shots of his proud father and Parmenion were postponed to a different betoken, since the Final Cutting shows a longer version of the taming. Attalos (who later on becomes Philipp's male parent-in-police force) wonders, if Alexander actually is Philipp's son - Phillipp is angry about this comment. And then he says to Alexander, that as soon every bit he acchieves to tame the equus caballus he would be able to reign the earth.

36 sec.

Alternative footage:

After Alexander establish his horse, the transition to the cave is unlike.

The scene with Philipp and Alexander inside the caves was cut differently for both versions - over again the Final Cut offers an extended version. In the Theatrical Version we commencement see Philipp and Achilles, then Prometeus, �dipus, Madea and finally Hercules. In the Final Cut we start run into Prometeus and �dipus, so nosotros see Jason earlier we see Madea, and then finally follow Achilles and Herakles. At the end of the scene you lot become some data about Zeus and the titans, who in the Director'southward Cut are mentioned at the beginning of the scene (there, yous get fifty-fifty more data virtually Zeus). Merely the Final Cut ends the scene with Philipp cursing the gods and relativizing their doings and powers to bring Alexander back downwards to earth.

116 sec.

Alternative footage:

At the terminate of the cave-sequence the transition is different. In the theatrical verison there'due south a cutting to 8 years into the time to come. Philipp's next married woman (Attalos' daughter) arrives. The Final Cutting ends the flashbacks to Alexander's childhood and cuts to the entry into Babylon.

The Final Cut begins with a long shot of the city.
eight sec.

Theatrical Version:
The scene of Alexander inbound the palace is longer.
3.5 sec.

Theatrical Version:
Alexander walks through the palace a piffling longer.
11 sec.

Theatrical Version:
Alexander looks downwards from the balcony.
iii.5 sec.

Kassander notices old Greek artifacts in Babylon. Alexander tells him, that he wants to bring anything Greek back to Hellenic republic, but the Persian art belongs to the Persians. Prince Merdicus and the other Persian are surprised at this statement. Their reaction (which partially is also shown in the Theatrical Version) seems to make more sense.

xiv.5 sec.

When he comes up the stairs, Ptolemaios ssays that they now are the richest men in the world.
10 sec.

Theatrical Version:
Alexander and the harem tin exist seen a footling longer.
one.v sec.

Theatrical Version:
Two girls delightedly detect the men.
one.5 sec.

The scene with the harem was recut and extended for the Final Cut. While you in the Theatrical Version just see some beguiling dances, pleased men, and a laconic comment by Alexender just before the princess, the Final Cut goes way further. Alexander notices a younger man in the crowd. He approaches him, which is realized past one of the eunuchs who so goes to the man to innovate him to Alexander. The fellow is Bagaos, one of Dareios' personal servants. Alexander seems to accept a fancy for the young man which is also noticed by Hephaistion in the background, much to his discomfort. Alexander inquires after Bagaos' homeladn and if he plans to render dwelling. Bagaos denies information technology, since his family is dead anyway. He says that he would be pleased to stay with Alexander. Alexander turns to his men (most of them enjoy themselves with the women) and says that anybody in this room (regardless of whether a lady of the harem or an eunuch) has the choice to get abode if he/she wants to. Ptolemaios lets up on his new "girlfriend" and jocularly shouts to his men, that Alexander finally lets them go home. Everybody laughs and jestingly swoops downwardly on Alexander to cause a fiddling wrangling. While the men still enjoy the harem-ladies' company, princess Stateira appears in the background. Merdicus is non used to that amount of wantonness.

119.5 sec.

Theatrical Version:


After the princess asked for protection for her family and Alexander aksed her if there's annihilation else she might want, she in the Final Cut says that there's nothing else she might ask for. In the Theatrical Version she falters and Merdicus who'due south standing next to her helps her finishing the sentence from off-screen.

v.5 sec.

Alternative footage:


In the Terminal Cut at that place's a close up shot of the fight in the streets of Babylon. In the Theatrical Version, the fight is shown from to a higher place.

ii sec.

Alternative footage:


When Alexander reads his female parent'south letter and she judges Kassander, you lot in the Theatrical Version see Alexander, while in the Last Cutting you encounter a flashback to Kassander and Philipp.

0.v sec.

When Alexander and Hephaistion proceed the balcony, Hephaistion asks why he's worried almost his female parent. He replies that she represents everything he'due south scared of. Yet notwithstanding he'southward not sure what exactly causes his fear. Alexander doubts his determination/burden to (according to his mother) exist the son of Zeus. Hephaistion tries to calm him down by comparing himself to Patroklos who died in Troy before Achilles did.

57 sec.

Hephaistion asks Alexander what he wants to exercise when he reached the end of the world (and freed all of humanity). Alexander replies that he so will turn around to march into the other direction.

12 sec.

Theatrical Version:


Hephaistion cajoles Alexander some more than after Alexander told him that he loves him.

22 sec.

Alexanders residence in Bactria was re-organized. The Theatrical Version begins with the banquet, which is then followed by the generals' concerns; finally, we encounter Roxane'southward wedding. The Final Cut starts with the marriage, then follows the generals' meeting, and finally you see the feist. Additionally to these changes there are minor re-cuts or additions.

Alternative footage:


The wedding anniversary itself was re-cut several times just does not contain any new scenes.
-

There's an additional shot of Roxane sitting in the middle, while the men around her celebrate.
iii sec.

Theatrical Version:
You see how Alexander is presented with a golden egg by Roxane'southward father.fifteen sec.

Roxane again tin be seen a niggling longer when Alexander demonstrates his generosity.
2.5 sec.

Culling footage:

Merdicus is glad near Alexander's speech. Roxane's male parent looks a little unbelieving. In the Theatrical Version you only see Merdicus from a different angle.

4.5 sec.

Culling footage:


The Theatrical Version ends the matrimony with a shot of Hephaistions, who so in the side by side scene enters Alexander'due south rooms. The Final Cut shows a shot of the fortress before it cuts to the conversation with the high command.

Alternative footage:


At the beginning of the scene, Alexander's generals continue to make clear that they remember it's a fault to ally an Asian woman as one's kickoff wife. It is explicitly mentioned that the Macedonians would never follow an Asian rex if Alexander died. Parmenion's demand non to support the Asians merely instead reign them is stressed some more after.

37 sec.

The feist before the wedding (where Roxane dances in front of the Greeks) at the beginning offers an boosted scene where Bactria's sovereigns endeavour to get in with Alexander. They manus ther presents over to him and try to stay shut to him to be able to cajole him some more. Oxyartes (Alexander'south future father-in-law) tries to impress him as well past showing him captured bears and leopards, and praising his daughter to the skies. Alexander promises to always exist bachelor in times of war. But Alexander remains modest and generous past failing some of the presents with thanks. For Oxyartes this is a sign of weakness but he's able to overlook this. Inside this scene y'all besides see Hephaistion and Kleitos, who come to blows with each other for the offset fourth dimension. Furthermore, one shortly talks nearly Parmenion. They don't dubiousness his loyalty every bit long as his son Philotas stays with Alexander. Just they think that his pessimism stands in the way of Alexander'south plans.
Several short sequences of the events can be seen later on in the Theatrical Version.

133.five sec.

Alternative footage:

The following dance sequence past Roxane was cut differently for both versions. The biggest difference is that Roxane dances much longer in the Last Cut. Some of the sequences of the rest of the pary and the infighting between Hephaistion and Kleitos (which is a little more than obvious in the Final Cut) were postpone to a different point.

52 sec.

Theatrical Version:

After the feist you tin can see Roxane in her nuptials wearing apparel. This was cut out of the Final Cut.

12 sec.

Just before Alexander's and Roxane's hymeneals, you lot in the Concluding Cut can run into Alexander inside his rooms earlier Hephaistion enters.

xiv.5 sec.

Roxane notices Bagaos in the background.
fifteen.5 sec.

Alternative footage:

The sex scene is different equally well. In the Theatrical Version there are just a few close up shots of their faces. In the Terminal Cut (just as in the Director's Cut) the Sex is obviously longer and shot from a more distant position. Besides, in that location are some additional close upwards shots.

17.v sec.

Alternative footage:

After (when a annotate by Alexander's mother is overlayed with scenes of Alexander and Roxane), both versions partially use a different picture show montage. The Final Cut is a little longer.

15.5 sec.

Alternative footage:


The transition to Philipp's and his new bride's arrival is different.

3.5 sec.

Culling footage:


When the two newlyweds get out of the carriage, they are shown a little longer in the Final Cut. In the Theatrical Version you instead see Olympias.

Olympias tries to convince Alexander of his male parent's malady a fiddling longer.

20 sec.

Culling footage:


At some point of the scene you in the Terminal Cut run across Olympias a picayune longer. In the Theatrical Version you lot instead see Alexander.

i sec.

Theatrical Version:


The Theatrical version ends this scene with Olympias' comment that Philipp will never exit the throne to Alexander just like that. The Final Cut offers a significantly longer scene...

8 sec.

Here, there'southward an argument between Alexander and his mother. Again, there'southward the comment about the throne, simply here Alexander asks Olympias what he wants from him. Olympias tells him about a conspiracy. Alexander loses his temper since he knows that this will atomic number 82 to a ceremonious war. Olympias takes this into account likewise but he thinks that Alexander will come off as the winner of this conflict, since all the young men from Macedonia have his back. She tells him that he doesn't have to be scared of killing Philipp, since the latter never wanted him every bit a son and is probably already thinking about killing Alexander too. Olympias again makes it clear that Zeus is Alexander'due south real father. Alexander grabs his mother and tells her that he won't exercise anything about his male parent. Just before he leaves the room, he asks his female parent if she ever really loved his father. She's highly indignant and says that she never stopped loving him.

131.5 sec.

Culling footage:


The whole scene where Alexander almost drinks from the poisoned goblet, was re-cut. The Final Cut seems to be a piffling more than rounded.

19.5 sec.

Afterwards Alexander asked his retainer who tried to poisonous substance him, you see how a soldier goes to the conspirator's tent. The human notices it and stabs a sword through his body before he can be arrested.

17 sec.

Theatrical Version:


At the end you see the slaves standing in line in forepart of Alexander a petty longer.

one sec.

Alternative footage:


The confrontation with Philotas was re-cut and extended for the Final Cut. Alexander seems to exist more determined.

25.5 sec.

Before the execution, Philotas and Alexander are shown a little longer.
eight.v sec.

The sequence's catastrophe is longer as well.
1.5 sec.

Likewise, the soldiers are shown longer in forepart of the dusk.
one.5 sec.

Alternative footage:


Alexander works on the tax system a niggling longer. For the Concluding Cut, they used a unlike montage.

10 sec.

Alexander can be seen a little longer.
1 sec.

Theatrical Version:
A shot of a map.
5 sec.

At the commencement, Parmenion tin exist seen earlier in Babylon.
4.3 sec.

Again y'all see Alexander sitting on the table with the maps and his draft of the tax organization.
5 sec.

Parmenion lies on the floor badly injured. Then you see Alexander (who'south lying on the bed) calling for Bagaos. Alexander strokes his cheek.

Theatrical Version:
Parmenion is shown a niggling longer.
one sec.

Theatrical Version:


In the Theatrical Version blows out the candle and and then lies downwards next to Alexander. This was cutting out of the Final Cut, since Bagaos is already in bed next to Alexander.

5 sec.

In the Final Cut, Alexander and Bagaos buss. Bagaos and then starts to caress Alexander's breast.
25 sec.

As a transition to the next scene, you lot first see Alexander drinking.

9 sec.

Theatrical Version:


At first, Kleitos seems to buss Alexander'southward forehead, but then he moves to his mouth and kisses him.
2 sec.

A little more goings-on at the feist.
eight sec.

Alternative Footage:


When Philipp indecently assaults a male child, the kickoff of the scene was cutting differently. While in the Theatrical Version you come across Kleitos, in the Terminal Cut there are two new sequences that are a trivial more explicit than in the scenes in the Theatrical Version or the Director's Cut.

0.v sec.

The poor boy is walked out a footling longer. Then you see some women entering the room throug the door.
10 sec.

Culling Footage:


When Ptolemaios and Alexander stand around on the mountain, they can be seen from a unlike angle. The Theatrical Version is slightly longer.

1 sec.

The Final Cut shows an
Intermission, before you have to change the DVD.

97 sec.

Theatrical Version:

An additional shot of Bharat.
5 sec.

Alexander rides through the jungle a little longer.
ii.five sec.

A soldier creeps through the jungle a little longer while the monkeys above him scream.
5 sec.

Ditto.
iv.5 sec.

An archer shoots at the monkeys.
1 sec.

More monkeys.
1.5 sec.

The Greeks watch the Indians a picayune longer.
four.5 sec.

Alexander plays with the monkey a little longer. Roxane stays upstage.
5.5 sec.

Alexander sits on a mountain with some half-naked men who can gaze into space for hours.12 sec.

Culling Footage:
The scene where lightning strikes was cut differently and extended for the Concluding Cut.
3 sec.

During the long rain, Alexander at the beginning of the scene walks through the campsite.
8 sec.

Culling Footage:
Alexander bends over the ill sometime man - the order of the sequences was altered.
2 sec.

Kleitos notices and dodges the snake in the tree that scrap the boy.
two.v sec.

Alternative Footage:


Bagaos' dance in forepart of Alexander and the others was cut differently for both version - once again, the Concluding Cutting is longer. In the Final Cutting, the whole matter seems to be a fiddling more erotic and Bagaos dances in front of Alexander a little longer - much to the others' dislike.

78 sec.

Alternative Footage:


Alexander in the Final Cutting kisses Bagaos from different angles - the sequences are slightly longer.
Kleitos can be seen directly subsequently this in the Theatrical Version.

5 sec.

A few of Alexander's men applaud because of his power to hold his drinkable.
2.5 sec.

Alternative Footage:


After Roxane angrily left the feist, Keitos speaks up. While in the Theatrical Version he does that immediately, in the Concluding Cut Alexander first talks to Ptolemaios and sits downwardly. Ptolamois comments on how Alexander used to hate information technology when his father drank that much. Fifty-fifty though Dyonisos is their hero, his vino also clouds their heed and they lose theri their self-control. But Alexander doesn't put any emphasis on that now anyway. Indians hand some gifts over to Alexander, while Kleitos boils inside because he doesn't similar the position Alexander has him in mind for.

68.5 sec.

Alternative Footage:


Immediately after this the chat (after Alexander sat back down) is longer, too. Kleitos refers to his new chore (being the governor of Baktrien) as exile. But in the Final Cut Alexander asks "Exil, of what?" and complains nearly beingness so far away from home. Alexander should have let him choose where he wants to abound erstwhile.

10.five sec.

Just earlier the state of affairs escalates and Kleitos says that it was Philipp who planned the expeditions in Asia, he merely in the Concluding Cut says that Alexander was at that time ordered well-nigh past his sister.

4.5 sec.

When Kleitos says that, everything was better dorsum in the days, he besides mentions that dorsum in the days they used to accept off-white fights inside a (battle) band.

v sec.

Shortly after Kleitos mentioned that he had to save Alexander's life in Gaugamela he says that Alexander wouldn't accept done the same for him.

four.v sec.

Alternative Footage:


Kleitos final rebellion is a little more drastic in the Last Cutting. In the Theatrical Version he insults Alexander before the latter kills him. In the Final Cut, the other men succeed in leading abroad Kleitos, and for a curt moment the situation seems to be de-escalated. Of a sudden, Kleitos pushes the door open and proudly enters while insulting Alexander a little more confidently, making his behaviour more effective. Then, Alexander grabs his spear.

39.5 sec.

Roxane rushes into Alexanders tent a piddling longer.
4.5 sec.

Theatrical Version:
Kassander is shown a lilliputian longer.
1.v sec.

The scene where Alexander regrets to take killed Kleitos and is dismayed about all the harm he caused for his wife and family unit is a little longer.

33 sec.

Alexander is worried most the people remembering Philipp while they seem to have forgotten all virtually him. He feels to have failed.

30 sec.

Culling Footage:


The ending of the scene is dissimilar. In the Theatrical Version he only says that he has failed, while his self-sensation takes a lilliputian longer in the Concluding Cutting.

18 sec.

Right at the beginning of the scene, the acrobats are shown a lilliputian longer.
two.5 sec.

Theatrical Version:
The crowd is shown longer when Alexander approaches them on horseback.
1 sec.

Theatrical Version:
Ditto.
two sec.

The positioning of Philipp's statue was cutting differently and (again) extended for the Final Cutting.
12 sec.

Both versions offering a different cut of Philipp's assassination. When Philipp kisses the boyfriend, there in the Concluding Cut is a flashback to the wedding ceremony. Alexander remembers who that guy is - information technology's the immature boy who was sexually abused by Philipp.

23.five sec.

Alternative Footage:


Because of the terminal scene, the bump-off proceeds differently. The Theatrical Version at this betoken is longer, since information technology hast to show some of the scenes that were already shown in the Last Cut.

9.v sec.

Olympias is shown slightly longer, and then are the men that ran down the murderer.
5 sec.

Just before Alexander is crowned you run across followers who are either dazed or jubilant.
A part of this scene is shown later in the Theatrical Version.

5.5 sec.

One of the claret-smeared persons from but a moment ago.
one.5 sec.

Alexander is crowned longer.
iii.5 sec.

At the terminate of the scene yous once again see Alexander.
iii.5 sec.

Alternative Footage:


During Alexander'southward voice communication there in the Final Cutting is a different cut virtually the outset of the scene. Alexander'south annotate most men who intermission his eye with their fright was brought forwards a piddling. In the Theatrical version this follows after the next cut. The Theatrical Version is longer.

1.five sec.

Theatrical Version:


Alexander personally addresses his men to convince them to cross the river with him.

34.five sec.

Theatrical Version:
Another shot of the squad.
three.5 sec.

Alexander among the crowd.
ane sec.

Theatrical Version:
You can see marching soldiers.
8 sec.

At the end of the scene where the army moves on to the next battle you see some different takes. While the Theatrical Version continues the last have a little longer, the Direcotr's Cutting offers a close up shot of Alexander and Soldaten in front of the sunset (facing the opposite direction compared to the Theatrical Version).

9 sec.

Just before the boxing in the jungle you encounter Alexander in the camp, reading a letter by Aristotle. The letter is about how Aristotle found out how far Alexander already made it. The teacher congratulates Alexander and encourages him to go on even if at that place are many persons in Alexander's entourage who won't follow his dream.

57 sec.

Alternative Footage:

The transition is dissimilar due to a dissimilar scene that is shown before the battle. The Theatrical Version offers a "hard" cutting to the jungle. However, in the Final Cut you lot first encounter a black screen so kind of "zooms" to the jungle.

-

Culling Footage:


Both versions show a dissimilar version of the scene where the elephants run towards the Macedonians and Alexander flanks forth with his young man horsemen. In the Theatrical Version Alexander follows later on the elephants. In the Final Cut the movie constantly cuts back and forth from the elephants to Alexander. The whole thing is minimally longer in the Last Cut.

2 sec.

An Indian pulls one of the Macedonians off his horse. One of the Macedonians is hit by a rod (?) and another i gets a huge hatchet rammed in his breast. At the end of the sequence you see a Macedonian squatting with fearfulness.

14.five sec.

A long shot of the boxing. And so yous run into an Elephant overthrowing a tree that then falls onto the Macedonians.
seven.5 sec.

The elephants run against their enemies a little longer.
i.5 sec.

The elephants run a litlte longer.
2.v sec.

One of the macedonians is slinged abroad by an elephant. One of the Macedonians gets hitting on the head; an Indian brutally gets his throat cutting; another man is grabbed by an elephant. Finally, 1 of the elephants gets his trunk chopped off. At the end of this sequence, one of the Indians hits an enemies head so difficult with his bat, that the caput actually explodes. All that happens in

six.5 seconds.

Guts come up out of an elephant'south slashed stomach. And then, a sword is stabbed through a man's head.
2.5 sec.

The elephant with its guts hanging out stamps on one of the Macedonians who lies on the flooring.
0.v sec.

When Alexander tries to calm his horse down before he attacks the elephant, in the Last Cut follows a flashback to young Alexander.

ii.5 sec.

Culling Footage:


Again, there'southward a flashback in the Final Cut. This time, the Theatrical Version shows Alexander as an adult a little longer.

1 sec.

While Alexander lies on the floor heavily injured, his horse is attacked a little longer.
2 sec.

After the elephant got his trunk chopped off, several soldiers laissez passer a dead elephant and charge their enemies.
four.5 sec.

Alexander is carried off a lilliputian longer.
1.5 sec.

The transition to the next scene is different: in the Theatrical Version the movie cuts to the campsite after the boxing, while in the Final Cutting you lot see flashback to the fourth dimension shortly after Philipp's death.

-

Just afterwards Alexander's injury, the motion picture cuts to Philipp's decease to then show the scene with his mother. In the Final Cut, you over again see a few seconds of Philipp being murdered.

eight.5 sec.

Olympias is making fun of Philipp's death past saying that he was killed by a little boy.
9.5 sec.

Alexander can be seen a piddling longer.
ane sec.

Theatrical Version:
Olympias is shown subsequently in the Theatrical Version.
ane sec.

Theatrical Version:


Because of the alternative transition, Alexander at the stop of the Theatrical Version is shown leaving a little longer.

2.5 sec.

Culling Footage:


Alexander is shown coming out of his tent a little longer - he's heavily injured. Additionally, you at the get-go see some alternative shots of jubilanting soldiers. Overall, the Theatrical Version is longer.

2 sec.

Alexander and the other men stant in front of the newly constructed statue of Zeus. Alexander lays emphasis on the importance of their success.

37 sec.

The way through the desert that cost many men their live is partially shown with different takes in both versions.

8.5 sec.

Alternative Footage:


The entry into Babylon was re-arranged a little.

17 sec.

Before Alexander can visit the ill Hephaistion, he has to take care of some land businesses. There's not enough coin, therefore several ships can't be built and some provinces announced to be recalcitrant. Alexander seems to exist cool with it and acts like it doesn't even bother him - he says that he just wants to visit the ill Hephaistion real quick.

38 sec.

One of Alexander'southward men sends one of the slaves out of the room.
3 sec.

Alexander bends over Hephaistion a picayune longer.
iv sec.

Ditto.
2.v sec.

Alternative Footage:


When Alexander is standing at the window, the scene was re-cut. In the Concluding Cutting you but see Alexander, while in the Theatrical Version you tin also see Hephaistion. The Theatrical Version is longer

10 sec.

Theatrical Version:
But earlier Hephaistion dies, Alexander is shown again.
5 sec.

1 of the guests is shown a little longer.
2 sec.

Alexander (at this signal already drunk) is shown longer equally well.
1 sec.

The transition to the deathbed is different, since there are some new sequences and additions in the Final Cutting: yous see the seriously ill Alexander earlier there's a flashback to his childhood. Then you encounter Olympias coming to Alexander'southward bed (which is the first of a scene that was already shown in the beginning 3rd of the film). Together, they share some moments of absolute luck and safety. Then, the moving picture cuts back to the deathbed. At the beginning of this next scene, you see Alexander's followers who pledge their troth to him. They say that they love him or endeavor to heal him with wondrous herbs.

105 sec.

Culling Footage:


The last moments with Alexander were put together differently. Additionally, they pretty early insertet a longer sequence in the Final Cut where Bagaos washes Alexander. In the procedure he tries to go up because he thinks that he has to take care of his regular army to continue his expeditions.

133 sec.

Alternative Footage:


Alexander'due south death was re-ordered as well. In the last three minutes, the Theatrical Version is marginally longer.

ane sec.

Olympias is shown a little longer before the eagle appears at the window.
1 sec.

Alternative Footage:


Both versions show alternate takes of the moment when Olympias realizes that Alexander is expressionless. Merely in the Last Cutting you lot see a close up shot of the eagle fighting with the ophidian - and losing it. In the Theatrical Version you don't really witness this. Instead, the Theatrical Version offers a longer scene of Olympias walking towards the window. The Theatrical Version is longer.

nine.v sec.

Alexander'southward supporters charge at each other because the 1 group wants to coffin him in Persia while the others want to coffin him in Macedonia.

7 sec.

The Macedonians scramble to go Alexander's corpse (and also to succeed him). Only the Persians (specially Prince Merdicus) have their heads straight. From off-camera you lot hear Ptolemaios who considers to toxicant some of his generals.

20 sec.

The Transition to old Ptolemaios is different and lasts considerably longer in the Concluding Cut. Ptolemaios from off-photographic camera says that Kassander was able to cover upwards the possibility of having poisoned Alexander considering of the faked diaries. This makes him even more suspicious to be responsible for Alexander's death.

34 sec.

Ptolemaios talks longer about himself, his grown-upwardly sons, and compares their quest for power with Alexander'south quest for ability. When he goes on talking about Alexander's capabilities - if he just had maintained a low profile. He could have lived in comfort (which many of his generals were looking frontward to when being in old age), but apparantly that has never been one of Alexander'due south goals.

171 sec.

Theatrical Version:


Ptolemaios stands in forepart of Alexander's statue a little longer.

3.5 sec.

The Final Cut ends the film with the following text: