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Starting time Spin: The Week’due south Best New Dance Tracks From Anna Lunoe, Marshmello & Khalid, The Chainsmokers & More than
This week in dance music: Nosotros spoke with white hot U.M. producer HAAi on the occasion of her new album, the video for Daft Punk and The Weeknd‘s “I Experience Information technology Coming” reached a coincidental billion views on YouTube, Acraze continued to do it to it by signing with Capitol Records in partnership with Thrive Music, in honor of Pride Month nosotros ranked the pinnacle 60 LGBTQ anthems of all time, ODESZA dropped a new unmarried ahead of their hotly anticipated album coming next calendar month, Claude VonStroke’s venerable Dirtybird Campout West Coast dropped a mighty lineup for its October fest, the PNAU edit of Dua Lipa and Elton John‘southward “Common cold Center” clocked its 34th week at No. 1 on Hot Dance/Electronic Songs and we spoke with L.A. producer Swardy upon the occasion of his immensely delightful (and Porter Robison-canonical!) new animated short film.
Is in that location more? Yeah, there is more than! Here are the best new trip the light fantastic toe tracks of the week.
Anna Lunoe, “Like Me”
On her new single “Like Me”, Anna Lunoe makes her message crystal clear: “Yous’ll never find another one like me.” The Australian multi-hyphenate announced final week a new EP,
Sabbatum Love, and this latest taste of the project delivers more than of the vibrancy and bouncing club heft from previous tracks “Double Dip” and “Back Seat.” “Like Me” is both boisterous and tender, assuming however intimate as Lunoe’due south filtered sugary vocals residual out a thick, deep bassline and whirlwinds of technicolor synths — a centering calmness among the swirling action. Add some hands-in-the-air breakdowns and information technology’southward an outdoor festival moment in the making.
Lunoe co-wrote “Like Me” with Bag Raiders’ Jack Glass during lockdown in belatedly 2020. “We were originally making a vibey chord-driven tune, but the track sonics took a turn when reconnected with my DJ side over NYE ’22 and decided to take it heavier and weirder!” she said. “I was blown away when I played it ii months later on the USA tour in March this yr — people instantly reacted to information technology and it felt like [it] perfectly encapsulated the apprehension, dear and longing I feel for life, clubbing and connection during this weird moment in time.”
arrives on July 29 via NLV Records, the label by Australian artist and Lunoe’south longtime bestie Nina Las Vegas —
Marshmello & Khalid, “Numb”
Marshmello and Khalid have a proven track record, with their 2017 collab “Silence” striking No. i on the Dance/Electronic Songs chart and No. 30 on the Hot 100. Logic would follow that the this success would lead to some other collab from the R&B crooner and 1 of music’s about adaptable stars, and today we accept it with “Numb.” A straightforward tune built from a strong bassline and even stronger whistling, the track is out via the ‘Mello human being’southward own Joytime Commonage.
“Me and Khalid e’er talked about doing another vocal, and then I sent this thought to him and he loved it,” says Marshmello. “I was super happy when I asked him if he wanted to do the vocal and he said “yep” — because the song is a piffling unlike vibe for him, but I knew he would crush it. He sent information technology to me the next day, and I immediately knew we had one with this.” —
Shygirl, “Come up For Me”
Information technology takes a assuming presence to make melodies of Arca’due south most experimental productions, simply U.K.-based baddie Shygirl is never more in her chemical element than when she takes the lead on a scratchy, gritty, broken glass beat such every bit this. “Come up For Me” is as haunting as it is daring, a scary kind of sensuality that’south get Shygirl’s (and Arca’due south) signature. It follows the tangled sweetness that was “Firefly” equally the second single on the vocalist’south forthcoming debut anthology,
Nymph, and we’re more than willing to follow her down this path of musical mood. –
Jamie Jones, “Bionic Boy”
After releasing Defected unmarried “My Paradise” in April, Jamie Jones returns to his own Hot Creations label with a three-track EP,
Bionic Boy, his kickoff solo appearance on the label since the
Billboard-recommended Handy Work last September. From the sweeping, emotional disco of “My Paradise,” Jones on the EP’southward title track is all naughty tech-house business, baby. This bump-and-grind jam hits heavy from the get-go shell, building upon its difficult-edged percussion with foghorn synth stabs, chopped ‘90s R&B vocal samples and glitching accents. While the kick-pulsate remains constant in its walloping, the song’s stuttering nature makes “Bionic Boy” sound like a cyborg chanteuse who’southward (rhythmically) short-circuiting during a operation in the year 3000. Count us in. —
Phantoms, “Letting Me Go”
A niggling bit dreamy, a little bit damned, Phantom’s latest unmarried “Letting Me Get” is a bittersweet slice of synth perfection that’ll have your caput swimming in a haze of atheism. Information technology represents for the softer side of breakdown anthems, a disco-laced house-pop tune that feels polish on the peel but however kicks.
“It was some other one we wrote pretty early on in the album process and tried to incorporate a lot of the sounds nosotros felt characterized the record,” says the L.A.-based duo. “Information technology’due south still dance driven with synthesizers and punchy drums, just we also wanted it to feel euphoric and melancholy, like y’all could bladder away while listening to it.”
“Letting Me Go” is the fourth single from the duo’s forthcoming album
This Tin can’t Exist Everything, and it’due south the first song on the tracklist, setting the tone for the hooks and synthplay to come. The LP is due out in August, via ODESZA’s Foreign Family Commonage. –
The Chainsmokers, “The Fall”
Some of the all-time moments of The Chainsmokers’ recently released LP
And so Far And then Good
— which recently debuted at No. 1 on Trip the light fantastic toe/Electronic Albums — are when the duo leaned hard into the experimental production side of their work. This just-released bonus track from the album, featuring Ship Wreck, is more of that experimental proficient good, with the track stuttering to life similar a slightly melancholic auto — before Drew Taggart delivers lyrics about what sounds like a fairly doomed relationship and the track swells into one of the more than sophisticated build/releases the duo have ever produced. “The Fall” is the first of three new tracks from The Chainsmokers’ palatial version of
Then Far And then Skilful,
and the pair (along with Ship Wreck) are hosting a remix competition for the vocal, which fans can submit to past July 26 for a chance to win $x,000 in prizes . —
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Author: Billboard Staff,
Each week we sheet the wide, wild globe of trip the light fantastic music to bring you the hottest new tracks.
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